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Caroline Arscott is a professor at the Courtauld Institute.〔(Professor Caroline Arscott, Head of Research. ) The Courtauld Institute, 2013. Retrieved 21 April 2013. (Archived here. )〕 She is an expert on art of the Victorian period. She has published extensively on Edward Burne-Jones and William Morris, including the book ''Edward Burne-Jones and William Morris: Interlacings'' (2008).〔 Arscott was on the ''Oxford Art Journal'' editorial board from 1998 to 2008, and was an editor of the ''RIHA Journal'' from 2009 to 2014.〔(【引用サイトリンク】url=http://arthistory.indiana.edu/burke/current.shtml )〕 ==Selected publications== *"Edward Burne-Jones (1833-98)" in E. Prettejohn (ed.), ''The Cambridge Companion to the Pre-Raphaelites'', Cambridge: Cambridge University Press, 2012. *"Everyday Variety and Classical Constraint in Victorian Drawings" in ''Life, legend, landscape: Victorian drawings and watercolours'' edited by Joanna Selborne, exhibition catalogue, London: The Courtauld Gallery, 2011. *(''Edward Burne-Jones and William Morris: Interlacings'' ), Yale University Press, New Haven and London, 2008. ISBN 0300140932 *"William Powell Frith’s The Railway Station: Classification and the Crowd", in ''William Powell Frith, exhibition catalogue'', London, Guildhall Art Gallery, November 2006, pp. 79-93. *"Representations of the Victorian City" in M. Daunton, (ed.), ''Cambridge Urban History of Britain: Volume Three (1840-1950)'', Cambridge University Press, Cambridge, 2000, p. 811-32. *"Convict Labour: Masking and Interchangeability in Victorian Prison Scenes", ''Oxford Art Journal'', vol. 23, no. 2, 2000, pp. 119-42 (on Frith). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Caroline Arscott」の詳細全文を読む スポンサード リンク
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